Frankenstein Revived: Essays on the International Reception, Translation and Recasting of Mary Shelley’s Novel
A collection edited by Jorge Bastos da Silva (University of Porto, Portugal) and Katarzyna Pisarska (Maria Curie-Skłodowska University, Poland)
Upon its publication in 1818, Frankenstein; Or, The Modern Prometheus was praised as showing “uncommon powers of poetic imagination” by no less a reviewer than Walter Scott. Five years later, R. B. Peake’s dramatization,Presumption!, was exposed in the press as embodying “the very horrid and unnatural details” of the novel. The rich history of the reception of Mary Shelley’s story over the following two centuries has swayed between the two extremes of fascination and revulsion. Frankenstein and his creature have become a pervasive myth of modernity as Shelley’s work has been translated into many languages and adapted into several media. As the work has been made available in many different contexts and for different readerships/audiences, its motifs have become cornerstones of science fiction, and, indeed, of ongoing debates about the achievements and the ethics of science in general. While revising the classical tale of Prometheus and the biblical story of Adam and Eve, Frankenstein itself has arisen as a powerful narrative paradigm for interrogating the meaning of life, the relationship between humanity and God, the borderline between nature and artifice, the promise(s) and dangers of technology, and a range of other topics.
This peer-reviewed collection of essays aims to examine the international reception and impact of Frankenstein. It will encompass studies of the criticism, the translations and the recastings of the plot, its characters and its themes, as the novel has been adapted into film, the theatre, and comic books. It will also examine other forms of rewriting or recreating, such as prose retellings for young readers, the ways in which Frankenstein has been refashioned in more episodic forms like political caricature, and other aspects of material culture.
We invite contributions of essays (6000-8000 words) consistent with the volume rationale outlined above. Prospective contributors should send an extended abstract (250-300 words) to both editors’ e-mails:email@example.com and firstname.lastname@example.org. The deadline for the submission of abstracts is 31 May 2018. Contributors will be notified of editorial decisions before 15 July 2018. Complete chapters should be sent to the editors by 30 November 2018. The collection is due to be published by a global publisher in 2019.