Mese: Giugno 2019
What, when & where IN / VISIBLE: REPRESENTATION, DISCOURSE, PRACTICES, DISPOSITIFS22nd October 2019, Palermo University (Italy) invisibile2019palermo.wordpress.com The University of Palermo together with the joint Ph.D. program Studi Culturali Europei/ Europäische Kulturstudien organizes the interdisciplinary graduate conference “IN / VISIBLE: REPRESENTATION, DISCOURSE, PRACTICES, DISPOSITIFS” (University of Palermo, 22 October 2019). The international conference will focus … Read More “7/7/2019 – CFP: IN / VISIBLE: REPRESENTATION, DISCOURSE, PRACTICES, DISPOSITIFS” »
Eighth Biennial Graduate Student Conference @ University of British Columbia. What, when & where 25-26 October 2019, Vancouver, CanadaOn the move: narratives of displacement, travel and mobilities Keynote Speaker: Simon Harel (University of Montreal) As we observe phenomena of human flow and intensified technological communication permeating our daily life and imagination, this international graduate student … Read More “15/7/2019 – CFP: On the move” »
What, when & where Language and Violence: Literary Mediations in the Age of the Anthropocene Facultade de Filoloxía e Tradución – Universidade de Vigo in partnership with the Universidade de Santiago de Compostela Vigo – 16th and 17th January 2020 The “Language and Violence: Literary Mediations in the Age of the Anthropocene” international conference seeks … Read More “15/9/2019 – CFP: Language and Violence: Literary Mediations in the Age of the Anthropocene” »
SFSU 21st Annual Graduate School Cinema Conference. What, when & where SFSU 21st Annual Graduate School Cinema Conference:Reimagining Genre in Cinema October 17-18, 2019Keynote Speaker: Damon Young (UC Berkeley) Whether because of digital technologies or other cultural shifts, many traditional cinematic forms, formulas, and categories seem increasingly to be in flux or mixed; this seems … Read More “15/8/2019 – CFP: Reimagining Genre in Cinema” »
Suffolk UniversityBoston, MassachusettsJune 17 – 20, 2020At the 100-year anniversary of Eugene O’Neill’s first full-length play—Beyond the Horizon (1920), which garnered his first Pulitzer Prize–and of the first play to break the color line on Broadway—The Emperor Jones (1920)—it seems fitting to look beyond the many horizons that have shaped O’Neill’s legacy for modern theatre.