“A person is, among all else, a material thing, easily torn and not easily mended.”
AISNA GRADUATE FORUM 2018
1st AISNA Graduate Forum Conference
September 28, 2018
Centro Studi Americani
keynote speaker: Jeffrey C. Stewart.
For almost two centuries, poets and critics, from Algernon Swinburne to Hart Crane, Allen Ginsberg, and Harold Bloom, have recognized William Blake and Walt Whitman as kindred poets and visionaries, fellow mystics, allied writers in the prophetic tradition. […] However, only a few essays on Blake and Whitman have been published over the past 30 years. This collection of essays aims to advance inquiry into Blake and Whitman’s likenesses beyond impressionism and beyond the terms—prophecy, mysticism, and (to a lesser extent) influence– that have typically framed the rare critical considerations of the two poets in tandem.
The 2018 conference theme, “Once Upon a Time in Louisiana,” is dedicated to exploring Louisiana’s long and continued relationship with narrative. Presentation proposals on any aspect of Louisiana narratives, as well as creative texts and performances by, about, and/or for Louisiana and Louisianans, are sought for this year’s conference.
L’AISNA (Associazione Italiana di Studi Nord-Americani) bandisce il Premio Agostino Lombardo, assegnato alla migliore tesi di laurea di argomento americanistico discussa nel corso dell’anno precedente in un’università italiana.
In commemoration of the American Philosophical Society’s 275th anniversary, the Society’s Library, along with the Gladys Krieble Delmas Foundation and the Association of Research Libraries (ARL), is hosting an interdisciplinary and international conference that explores the history of libraries, the present opportunities for libraries (especially independent research libraries and those with special collections), and the potential future for libraries as they continue to evolve in the 21st century.
From its beginnings in the Naturalism of Dreiser and Wharton, through the Modernism of William Faulkner and the Lost Generation, the emergence of new voices in African-American, Native, and other minority writing, to more recent developments in the commercialisation of publishing houses, the growth of creative writing departments in colleges across North America, and the giving way of Hugh Kenner’s Pound Era to Mark McGurl’s Program Era, the dramatic history of North America in the twentieth century has been reflected in its literature.
In print since 1984, Legacy is the only scholarly journal to focus specifically on American women’s writing, broadly defined, from the seventeenth through the early twentieth centuries. We are interested in projects that examine the works of individual authors; genre studies; analyses of race, ethnicity, gender, class, and sexualities in women’s literature; historical and material cultural issues pertinent to women’s lives and literary works; and myriad other topics.
1968 is a momentous year in the global socio-political memory: it has come to be seen as the culmination and epitome of a series of processes involving protest, and the affirmation of previously silent or subaltern causes. Such processes and causes were predicated on challenges to established powers and mindsets, and hence on demands for change, that have had rich consequences in literature and the arts.