Applications are invited for the post of Editorial Assistant to the incoming Co-Editors-in-Chief of the Journal of American Studies, Dr. Sinéad Moynihan and Dr. Nick Witham
This year the Irish Association for American Studies Postgraduate Symposium invites papers that investigate the myriad ways in which American history and culture has been recorded and rerecorded, across all media. Organizers welcome proposals for papers that consider how America is engaging continuously in a dialogue with its own history and culture.
Call for papers for the III conference “communication across cultures” to be held in Warsaw, 6-7 december 2018.
This issue of Cinéma&Cie aims to address the context made up of works of art in music, film and video by tracing the ongoing exchange between avant-garde and popular forms from trans-historical and intermedial perspectives.
Since its beginnings in the late 19th century, the Blues has been more than a music style with a seminal impact on 20th century popular music. As a medium of social expression, it articulated the tribulations of an entire black culture, male and female.
The aim of the conference is to provide a forum for exchanging ideas and
sharing the findings of research related to the city—as a place and space—which is the scene of everyday life, the silent witness of alienation and tragedy, the goal of many physical and spiritual journeys, and the object of fantastic speculation.
The 2018 conference theme, “Once Upon a Time in Louisiana,” is dedicated to exploring Louisiana’s long and continued relationship with narrative. Presentation proposals on any aspect of Louisiana narratives, as well as creative texts and performances by, about, and/or for Louisiana and Louisianans, are sought for this year’s conference.
From its beginnings in the Naturalism of Dreiser and Wharton, through the Modernism of William Faulkner and the Lost Generation, the emergence of new voices in African-American, Native, and other minority writing, to more recent developments in the commercialisation of publishing houses, the growth of creative writing departments in colleges across North America, and the giving way of Hugh Kenner’s Pound Era to Mark McGurl’s Program Era, the dramatic history of North America in the twentieth century has been reflected in its literature.
1968 is a momentous year in the global socio-political memory: it has come to be seen as the culmination and epitome of a series of processes involving protest, and the affirmation of previously silent or subaltern causes. Such processes and causes were predicated on challenges to established powers and mindsets, and hence on demands for change, that have had rich consequences in literature and the arts.
The enfranchisement process throughout the English-speaking world has all but been a simultaneous one. In addition to the repeal of religious bans in the early 19th c., no less than six electoral reforms (Representation of the People Acts) were passed by the British Parliament between the mid-19th c. and the late 1960s, first enlarging the electorate on a property basis − but still within the confines of an exclusively male electorate −, then extending the right to vote to women