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15/04/2019 – Call for papers black studies EHESS

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17/04/19. 2 Start-up Grants, Doctoral Program in Literary Studies

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30/03/2019. Call for papers “Media in America, America in Media”

Leggi tutto “30/03/2019. Call for papers “Media in America, America in Media””

8/3/2019 – CFP: Re-Vision: Myth, Memory, and the Gendered Self

What, when & where

8th Annual Art History Graduate Student Conference

The University of California, Riverside
May 25th, 2019
Deadline: March 8th, 2019

Keynote Speaker: Dr. Charlene Villaseñor Black, Professor in the Department of Art History at UCLA

The goal of this year’s conference is to promote an interdisciplinary dialogue through visual and material culture by questioning imposed gendered hierarchies and identities, in order to facilitate inclusive understanding of gendered roles in myth throughout history. This year’s theme concerns re-vision–revising, re-conceptualizing, and seeing differently –as the act of “looking back” to forge new critical directions and critique androcentric world views and traditions. Concepts of gender within oral histories, literary traditions, cosmologies, and visual arts –and the relevance of gender’s constant fluidity –helps to shape our understanding of the world. This understanding becomes a cultural mythology that affects our contemporary memory. Though these mythic stories shape human experience (by informing cultural identity, world views, social structure, self-image), they themselves are not fixed. Continuing in the tradition of rewriting and challenging the historical canon, the reclamation of the distorted-self (distorted by fixed, limiting, and systematized gender concepts) is necessary for the troubling of myth and legend within the visual arts. Questioning conventions, perceptions, and conceptions of gender in art is necessary to recover the agency that mythic images of identity evoke. This conference will explore the ways in which concepts and representations of gender in myth are revised through art and art history. Such re-visioning takes on urgency when images themselves act as sites of active engagement –a dialogue between viewer and viewed –which will therefore serve to restructure human experience, history, culture, belief and understanding. We are interested in the re-evaluation of androcentric mythological imagery, the functionality of gender (theoretically and iconographically), and how gender has been radically reworked within visual culture, which thereby constructs a contemporary memory. Additionally, it will consider how myth and contemporary memory are now being shaped through movements such as the #metoo movement, Black Lives Matter, the LGBTQ+ community, immigration issues, spirituality, modern witchcraft, and more. It will look at new critical directions and assertions in cultural history and how visual culture is reworked through time, across global traditions –historical to contemporary, mainstream to margin

Deadline & how to apply

We invite abstracts of no more than 300 words for 20-minute paper presentations. The conference is open to all graduate students, as well as the public; there is no registration fee. This event is entirely student-generated and organized by UCR’s Art History graduate students.

Please email an abstract and a CV to ahgsa.ucr@gmail.com by Friday, March 8, 2019.

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Photo by Thomas Kinto on Unsplash

01/04/19 – research grant “Sisters in crime” about women/crime fiction

What, when & where

Sisters in Crime will award researchers grants of up to $500 for the purchase of books to support research projects that contribute to our understanding of the role of women or underrepresented groups in the crime fiction genre. This may include but is not limited to research on women mystery writers, on the position of women writers in the crime fiction marketplace, or on gender, race, or ethnicity as an aspect of crime fiction.

Grant recipients must provide copies of receipts of purchases and provide a summary of research progress that will be shared publicly and non-exclusively through the organization’s website. Grant proposals must be received by April 1, 2019. The recipient will be notified by June 1, 2019. Books must be purchased and itemized receipts provided by December 1, 2019, along with a progress report (250-500 words) on the research project.
Deadline & how to apply

Deadline & how to apply

Application Deadline is APRIL 1st. To apply, please send your CV and the following information to Barbara Fister. You should receive confirmation that your application was received within a week. Applications will be reviewed by a committee of scholars familiar with scholarship on the genre.

Final reports from previous grantees can be viewed under “More in this section,” at the top of the page.

  • Name
  • Email
  • Mailing Address
  • Description of research project, including a discussion of the project’s significance and plans for publication or presentation of results (suggested length: three pages or less)
  • Preliminary list of books to be purchased to support this research

Other info, Links & conditions

Sisters in Crime is a non-profit organization founded in 1986 that promotes the ongoing advancement, recognition and professional development of women crime writers and aspires to serve as the voice for excellence and diversity in crime writing.
Other info, Links & conditions

Limitations:

While projects may include analysis of film, the emphasis should be on written fiction.
These grants are intended to support non-fiction critique and analysis rather than research for fiction projects.
In keeping with the requirements of our funding source, grant recipients must either be US citizens/legal residents of the United States or must be conducting research on US authors.
Priority will be given to applicants who have not previously received an academic research grant from Sisters in Crime.

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April 2019 – CFS: New Call for Submissions – 2019

The USAbroad Editorial Committee is pleased to announce that our call for submissions of articles is now open.

USAbroad is the first Italian academic journal published annually by an editorial board of early-career scholars and entirely dedicated to the study of U.S. history and politics. The journal sets out to offer the occasion to international postgraduates and early career scholars to publish innovative and ground-breaking academic research.

We invite articles, written in English, that investigate any aspects of U.S. history and politics: social, economic and intellectual developments, relations of gender, race and class, foreign policy, international relations, history of policies and institutions. The journal pays specific attention to recent historiographical trends, in particular global, transatlantic and Atlantic history, and to multidisciplinary approaches which successfully intermingle history with social and political sciences.

Please visit our website to submit your article. You will need to register as an Author and follow our five step procedure. Please make sure you follow the Author guidelines and read our Editorial Policies. Once submitted, your article will undergo a double-blind peer review process with external reviewers. If accepted, you article will be included in the second issue of the journal. The issue will be split into two parts, the first originating from a Call for Papers circulated early in 2018 and dedicated to nationalism in the United States (you can access the CFP here), the second with no overarching theme. You have time until April 2019 to submit your article, and we ensure that — if accepted — the article will be out before the end of October 2019.

Please do not hesitate to get in touch with the Editorial Committee (at usabroad@unibo.it) if you have any questions.